1. |
Turkey Bones
01:38
|
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once you eat
turkey bones
beans pop you
got to hell blue
velvet cake
also has
tendencies
to the phosphate
(mines in a mind's eye view)
BEANS POP YOU
GOT TO HELL
ONCE YOU EAT
TENDENCIES
LOADED WHY
LOADED WHY
|
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2. |
Sarajevo Preadub
03:45
|
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Hey Hey Sarajevo
come and get your future
come and get love
don't forget your future
phuket cov
no sun can find your warmy head
oh what a waste of tropic Ed
that's preadub
hey buddy that's a wasted preadub
ba
come and get your future
come and get love
don’t forget your future
phuket cov
come and get your future
come and get love
dont forget your future
phuket cov
hey oh
hey hey sarajevo
maybe it's not exactly
well maybe it's not exactly
|
||||
3. |
Haughty Deb
03:56
|
|||
I want a good Yorkshire lass
we've got a haughty deb left
we've got a haughty deb left out
|
||||
4. |
||||
("woops he he")
(1 2 3 4)
Woo hoo
Go!!
preston!
great ass!
pissed off!
stand up!
woo! Woooo!
(Boy!)/(preston!)
Boy, you've gotta train
change those chocolate stains to gold
Preston "Great-ass" i'm fat, so what?
Preston "Great-ass" i'm fat, what's that?
preston
pissed off
great ass
stand up!
Boy, you've gotta train
change those chocolate stains to gold
sticky as a stowaway,
1, 2, 3, 4 more days
sticky as a stowaway,
but oh fat just blows away
yellow, i bee you
but you never was a bitch til you met me!
and i've got sticky floors
water and a buck down in Rio d'Or
sticky as a stowaway,
1, 2, 3, 6 more days
sticky as a stowaway,
but oh how fat blows away
oohhmmm, do you wanna
do you wanna do you wanna
do you wanna go home tonight?
(X4)
well if that's a fact, then i'll spat it right back atcha! (x2)
didyawanna? didyawanna didyawanna
didyawanna come home tonight?
|
||||
5. |
The Lake
01:54
|
|||
wie geht's?
oo
[foghorn]
|
||||
6. |
Tahiti Nui
03:40
|
|||
Tahiti nui te fare auri taua here ai
Ananahi a feruri au e aha te huru
Tahiti nui te fare auri taua here ai
Ananahi a feruri au e aha te huru
Aue, aue, aue hoi e
Te reva nei au na te moana
No to oe inoino ia`u
Tau ia e pea pea nei
Aue ra hoi au mama e
Aue ra hoi au mama e
Tahiti nui te fare auri taua here ai
Ananahi a feruri au e aha te huru
Tahiti nui te fare auri taua here ai
Ananahi a feruri au e aha te huru
Aue, aue, aue hoi e
Te reva nei au na te moana
No to oe inoino ia`u
Tau ia e pea pea nei
Aue ra hoi au mama e
Aue ra hoi au mama e
a tahiti mis en enfer
on fait l'amour
a demain je ne te chire
comment ca va
a tahiti mis en enfer
on fait l'amour
a demain je ne te chire
comment ca va
aue, aue mon copain
je parolerait dans le veu
No to oe inoino ia`u
Tau ia e pea pea nei
Aue ra hoi au mama e
Aue ra hoi au mama e
Tahiti nui te fare auri taua here ai
Ananahi a feruri au e aha te huru
Tahiti nui te fare auri taua here ai
Ananahi a feruri au e aha te huru
Aue, aue, aue hoi e
Te reva nei au na te moana
No to oe inoino ia`u
Tau ia e pea pea nei
Aue ra hoi au mama e
Aue ra hoi au mama e
|
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7. |
Konig
01:56
|
|||
florida
cupflow then Maclow
it's come to that no
oh but the flat flow
did none never let light go
a boy boiled in fat no
a poor boy that i don't know
a world-one like last-low
and wup, there it is: they’re showin ya
(shoulder-shoulder to Costas)
(~~~~~)
Buff rum to the tidal flow
and i had enough had a needle a bisect
i did enough did a had a go
and I did enough did a needle a bison
life is enough, isn't that enough?
and i had to go had to go to the Balkans
flights were enough to where i could go away
[*ending words: mixed/repeated/stacked/*]
it's best gonna lead up light alone
it was the day
it was the night
it was the day
what would you do
constable stackwaddy's into your yard
we switched we switched we're your neighbors
IT'S BEST GONNA LEAD UP LIGHT ALONE -- LIGHT!
|
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8. |
Subtropic Gleme Rock
03:22
|
|||
I'M HOME FOR "HE'S YOUR'S"
NOT SURE-IN AND GRAB THE DOOR
AND SO FAR WHO YOU ARE
NOT YOUR NORMAL "GRAB-AND-PACK IT"
DON'T FORGET TO CHOOSE
YOU BE YOU FOR YOU
ONE, TWO, LOOK AT YOU
TRYING TO PICK UP WHAT I DO
I'M POST-PALM, PRE-FROND
MANY TAKERS, NO NEW MAKERS
DON'T FORGET WHATS TRUE
YALL BE YOU FOR YOU
DON'T SAY "THEY'RE GONE"
AND FAKE YOUR DAWN
DON'T DO --- OOOOOOOOOOOOO
I'M LOSIN IT HERE
|
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9. |
High Roller
01:31
|
|||
real high roller he's a real high roller
a real high roller baby one, two, three
real high roller baby, my roller
he's my roller baby one two three
he's got a roller for sure
|
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10. |
Seriously
04:01
|
|||
seriously no matter what you say it's always gonna get me down
oh since you been gone, i've been out inside my head
come out late at night and in the mornings i stay in bed
well darlin you look so fine
and no matter what you say is fine
why do you waste my time?
now why do you waste my time?
now why do you waste my time?
because i really wanna make you mine!
now why do you waste my time?
when i really wanna make you mine
|
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11. |
Yo A. J. J. Hess
05:02
|
|||
12. |
Mimi Vari
01:44
|
Tonstartssbandht Florida
Andy & Edwin
::booking::
UK/EU:
Roxane@atc-live.com
North America/Asia:
jcorso@anniversarygroup.com
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